Tag Archives: When Reason Breaks

When Reason Breaks Releases Today!!!

This post is also published on the Latin@s in Kid Lit site. Instead of writing something else for my own blog, I am cross-posting it here. Makes sense, right?

 

Reason Breaks Blended CollageToday is the official release day of When Reason Breaks, my debut young adult contemporary novel published by Bloomsbury! Yay! The novel is about two girls, both sophomores in high school, who struggle with depression in different ways. Here’s part of the official description:

A Goth girl with an attitude problem, Elizabeth Davis must learn to control her anger before it destroys her. Emily Delgado appears to be a smart, sweet girl, with a normal life, but as depression clutches at her, she struggles to feel normal. Both girls are in Ms. Diaz’s English class, where they connect to the words of Emily Dickinson. Both are hovering on the edge of an emotional precipice. One of them will attempt suicide. And with Dickinson’s poetry as their guide, both girls must conquer their personal demons to ever be happy.

To celebrate my journey, which started seven years ago, I’m sharing some pictures I took along the way.

 

IMG_3086This first picture represents the writing, revising, and editing phase done alone and then with critique partners. It took me three years to write the draft that I used to query agents. Yes, that’s a long time, but I was working a full-time job and a part-time job, while single-parenting. My writing place is on my bed, and without fail, my dogs–first Rusty (RIP) and now Ozzie–have kept me company. This has been very sweet, except for the times they pawed the keyboard. Notice the guilty look in his eyes.

 

 

 

IMG_1294I landed an agent, Laura Langlie, after a few months of querying. I revised based on her feedback, and then the manuscript went out on submission. It stayed out there for a long, long time. We received some valuable feedback after the first round, so I revised again and went back out on submission. Finding the right agent and editor is kind of like literary Match.com. You might go on lots of dates that don’t work, but that’s okay, because the goal is finding the perfect person. So, it took a long time, but the book landed with the perfect person, Mary Kate Castellani at Bloomsbury. This is a picture of the manuscript next to my contract. Receiving the contract is one of those “oh-my-goodness-this-is-happening” moments. At this point, the deal had already been announced online, but seeing the contract in black-and-white makes it real.

 

IMG_4414AHHHHH! ARCs. This was a big moment. I didn’t taken any pictures during revising and copy editing. They wouldn’t have been pretty. But, please know that a lot goes on between the previous picture and this one (major understatement). After revisions, the manuscript went to copy edits. That day was significant because it meant drafting, for the most part, was over. Changes could still be made, but the story moved from creation into production. I received a blurb from the amazing Margarita Engle, and the cover was revealed. Soon after, these beauties arrived at my house. And AHHHHH! ARCs! Even though I had seen all the pieces–manuscript, blurb, cover art–it was different seeing it all put together in book form.

 

IMG_3091

The ARCs went on tour to other authors debuting in 2015, friends, and family. I also gave a couple away on Goodreads. This was the copy that went to the first winner, Ali. I have signed thousands of things, but this was the first time I signed a copy of my novel. Around this time, the book was listed on Goodreads, Amazon, Barnes & Noble, and other places and became available for pre-order. Holy wow!

And people were actually reading the book, which, of course, was always the goal, but as ARCs went out and reviews popped up, I became aware that what had once belonged to me–what had only existed in my head and heart–was really out in the world. Here is photographic evidence of actual reading going on.

image_4

 

image_3Now that ARCs were out in the world, I considered ways to help market the novel. One thing I learned from other authors was that I had to do my part when it came to marketing. I didn’t go overboard with swag. I decided to create a book trailer and print book marks and postcards with a QR code linked to the book trailer.

The book trailer was a fun, family experience. My sister’s dining room table was the work station, with my image_2nephew–a high school freshman–doing all of the real tech work. He’s a genius with computers, so he handled putting it all together. The opening voice belongs is my niece, and I narrate the rest of it, although my voice was altered to be lower and much cooler, in my opinion. Bookmarks have been distributed to teachers, librarians, and bloggers. Postcards went to high schools, public libraries, and independent bookstores in Connecticut, in addition to some libraries and bookstores in other parts of the country. Writers always question “what works,” and I think the answer is different for each of us. Bookmarks worked for me because I’m a teacher and I have lots of teacher friends who asked for 50-100 at a time. I knew they’d get into the hands of teen readers. Also, I have received some positive feedback from the postcards. A few librarians emailed me saying they received the post card, viewed the trailer, and planned to order the book; some even invited me to participate in events. So, in my mind, these three things were worth it.

20140920_104602

While the ARCs were “out there,” the manuscript continued to be worked on through copy editing and then first pass pages, which should be called the 100th pass pages because everyone involved had read the manuscript so many times. First pass pages are cool because the manuscript is typeset, rather than being on regular paper in the standard 12-point Times Roman. After the first pass pages were returned to the publisher, the next time I saw my novel, it was in……..

 

 

 

HARDCOVER!!!

image

These came earlier than expected, so I was surprised when I found them on my doorstep. My daughter hugged me and said, “Wow, Mom, they’re beautiful. Congratulations.” I might have gotten a little teary eyed. That day, I donated a copy to my local library and then brought copies to my family. My mom cried when she saw it. My mom doesn’t cry easily. I might have gotten a little teary eyed then, too.

During this last month before publication, I’ve been excited and nervous and, most of all, grateful. Thank you to everyone who has been involved in this process. It takes a village to write and publish a book, and because of everyone who supported me along the way, I saw my novel on a shelf in Barnes & Noble for the first time this past weekend. Wow!

image (4)

Available at:

Indiebound Barnes & Noble | Amazon Powell’s Book Depository | Books-A-Million | Target

And please look for it at your local libraries.

Depression in YA Lit and the Latin@ Community

This post was originally published on the Latin@s in Kid Lit site, but I am reblogging it here on my personal site because it’s such an important issue to me and is the central subject of my debut young adult novel. Here it is:

By Cindy L. Rodriguez

You're Lying graphicWhen I was 23 years old, I left Connecticut for Boston for what should have been an amazing experience. I had been recently hired to be a researcher for the Boston Globe’s award-winning investigative team, a dream come true for a young journalist. Over the next two years, however, depression slowly ruined me, although many people close to me never knew. I wrote about it for the Courant years later, when my mind was clear enough to make sense of it. Here’s an excerpt from that article:

“It was a rainy February night in 1997 when it became apparent that the depression was no longer a temporary emotion, but a disease that had invaded every part of my life. I had gotten into my car after work and cried all the way home. I can’t remember why. But I remember feeling like I was choking, like every nerve in my body was numb, like someone was squeezing my heart and everything good inside of me had been twisted around. I remember feeling hopeless.

“I knew then that this thing eating away at me would not just go away. For a long time, I was convinced it would. I believed that the admirable traits I inherited from those before me, like frankness and humor, would overpower this flaw.

“But days and months had blurred into more than a year. Fatigue had seeped into my bones and smiling became an effort — a false statement. I was tired all day and couldn’t sleep at night. I called into work sick with a flu I didn’t have. I pried myself off the sheets to make it in other days. My memory was deteriorating. I could listen to someone talk at length and not absorb a single word. I have no detailed recollection of certain events.

“Still, I thought the depression was situational. I was having a rough time at work, feeling beat-up emotionally and unappreciated. With my career being such a significant part of my identity, I felt shaken and unsure of my talents and abilities. Still, something inside of me was fighting back. I thought I could pull myself out of it.

“That February night, it was my mom who convinced me that this was bigger. That it was something that didn’t just belong to me — that I had inherited it. That it belonged to her and my grandmother before her. This was out of my control. ‘You are definitely depressed,’ she said. ‘Promise me you will see someone.’

“Six days later, I sat in a psychiatrist’s office, unsure of what to do exactly. Isn’t this a luxury for wealthy people? Or a necessity for people with real problems, like battered women? It was hard to justify needing this, being an otherwise perfectly healthy and successful 25-year-old. Yet, when I opened my mouth, a load of hurt poured out and the hour flew by.”

WhenReasonBreaks_CompTen years later, I was planning and drafting what would become When Reason Breaks, my debut novel about depression, attempted suicide, and the life and work of Emily Dickinson that releases February 10. While writing, I knew some readers would wonder why either of the two main characters–Emily Delgado and Elizabeth Davis–would want to kill herself. Nothing tragic happened to either of them. To some readers, none of their problems will be seen as good enough reasons to attempt suicide. They’ll want a big reveal moment: “Oh, she was (fill in the blank with a horrible experience). No wonder she’s depressed and suicidal. That’s a legitimate reason.”

When I was depressed, I didn’t think I had a right to be because, like my characters, nothing tragic had happened to me. I wanted to have a significant event, something I could point to and say, “Ah-ha, that’s the reason. If I address this one, obvious, horrible thing that happened to me, then I’ll be okay.” But I didn’t have that thing. Many depressed people don’t. And with the absence of something obviously wrong in my life, I pushed through the days for far too long, thinking what some people might think about my characters: my problems weren’t significant enough.

This kind of thinking can lead to tragedy because the depression goes untreated, which I’ve discovered happens often in the Latin@ community.

National health organizations report that Latin@s are at higher risk for depression than other minorities. Women experience major depression more often than men, and of students in grades 9-12, significantly more Latinas attempted suicide than their non-Latina peers. Yet, most Latin@s with mental health problems go untreated. A lack of access to affordable services and the stigma attached to mental illnesses are cited as barriers to treatment. Untreated depression can lead to suicide, which is the third leading cause of death for all people aged 15-24.

These statistics got me thinking about depression in young adult fiction, and I realized that in the books I’ve read, white characters are more likely to land on a psychiatrist’s couch. Most of the Latin@ characters in novels I’ve read fight through mild to severe depression without medical help, or they are somehow detained, in a treatment facility or group home, and the therapy is required. In When Reason Breaks, one of the main characters visits a doctor and gets medication, but doesn’t take it. She finally accepts real help after her suicide attempt.

As the Latin@ population continues to grow, I hope barriers are removed so that more Latin@s seek treatment for mental illnesses. I also hope more YA writers tackle the variety of mental illnesses and show characters of color getting help at some point instead of suffering through their pain. Maybe more teens will see themselves in these books and understand that their problems are significant enough, that they don’t need a “real reason” to feel the way they do, because in reality, depression is the real reason.

 

National Suicide Prevention Lifeline: 1-800-273-8255

National Hopeline Network: 1-800-442-4673

Suggested by book lovers online, here are some titles with Latin@ characters who struggle with different levels of depression.

15798660 20702546 7661718 6234369 2815261 7990393 554037 6413788 12000020 722710 722711 16043528 19542841 364640 11534332

Novel Pre-Order & Help My School!

WhenReasonBreaks_CompDuring this next week, you can help me and public school teachers and students–all at the same time!

My novel, When Reason Breaks, releases exactly two months from today, and my school is having its annual Barnes & Noble book fair and fundraiser.

The good news is that pre-orders will count toward the fundraiser for King Philip Middle School, where I work as a full-time reading specialist.

Also, if you didn’t already know, pre-order sales are a HUGE thing in the publishing world and can make a big difference for a new author. This is because pre-orders count toward release day numbers when the book officially drops on February 10, 2015. Strong early sales numbers make everyone happy–the publisher, booksellers, and the author :.) Seriously, though, decent sales out of the gate can lead to more marketing support for the novel and future book contracts.

So, if you are planning to buy When Reason Breaks–or any other books for holiday presents–now is a good time, so that the sale also benefits King Philip. If you are in the West Hartford area, stop by the Barnes & Noble in Blue Back Square tonight and make sure the booksellers know your sale should benefit King Philip. I will be there from 6 to 8 p.m. signing bookmarks and promoting my giveaway (see below).

Another option is to order online through the Barnes & Noble website from December 10-16. When you’re in the checkout area, enter this number into the “Book Fair Code” area: 11443314

And as a super bonus, I’m hosting a special pre-order giveaway.

Update: Most people who pre-ordered at the book fair were not interested in entering the giveaway, so I’m going to hold onto these items and use them as door prizes at my launch party.

20141210_210032-1

When Reason Breaks: The Official Book Trailer

The production of this book trailer was a family affair, which made it super fun. My sister, Saryna, let me use her home as our meeting place and production studio. She helped me to search for copyright-free photos and videos to match the novel. My niece, Alyna, is the first voice you’ll hear. She needed exactly two takes–what a pro! I can’t say the same for the rest of us. Attempts to narrate the rest of the video often ended with us laughing hysterically. We had so many takes that my daughter and younger nephew memorized it just from hearing us saying it over and over. And then there’s my genius nephew, Dean Jones, who probably should have been named Steve because he’s like the latest version of Steve Jobs & Steven Spielberg; plus, he’s a great DJ! He put the whole thing together on some fancy computer software. So, THANK YOU!!!! to my awesome family for helping me through this process. Here is the latest result: the official book trailer for my debut novel. For the best viewing, click on the settings icon and change it to 1080 HD. Enjoy and please share it with the readers in your life! Thanks!

 

Enjoy an Excerpt from WHEN REASON BREAKS

A few When Reason Breaks Advance Reader Copies (ARC) are in readers’ hands, and more will be printed and distributed for promotional reasons within the next month or two. The first page of the ARC has an excerpt from the novel, and since the ARCs are out there, I figured it was fine to share this piece with all of you. If you need a brief description of the novel before you read the excerpt, click here and then come back.

Here’s a little extra info to put this into perspective: Emily and Elizabeth are not friends, but they share a mutual friend. They are at a Halloween party but are talking alone in a room in the house. Emily was there, reading a book and avoiding the crowd, and Elizabeth stumbled in looking for the bathroom. Here is a part of their conversation.

 

With wide eyes, Emily asked, “Are you okay?”

“I’m fine.” Elizabeth smiled and sucked hard on her straw.

“You’re lying,” Emily said with a grin.

“Maybe, but this isn’t about me. It’s about you. Tell them. Get it over with, Delgado.”

Emily shook her head and hugged the book to her chest. “Tell them what?”

Elizabeth stared at Emily. They were quiet, listening to voices in the hallway and the music pounding below them, so loud the floorboards vibrated.

Elizabeth sprang forward from her sitting position and crawled the few feet that separated her from Emily. She kneeled and sat back on her heels.

“Look at me,” she whispered. Emily pushed her back into the wall and locked gazes with Elizabeth.

Elizabeth scanned Emily’s face and then framed the girl’s eyes with her fingers.

“Ah, there it is,” said Elizabeth.

“What?”

“Hold still.” Elizabeth pressed down her index finger, closed her eyes, and said, “Click.”

“What are you doing?” asked Emily.

“I’m taking a mental picture of you.” Elizabeth leaned in closer. Emily inhaled sharply.

“I see you, Emily Delgado,” she whispered. “Your problem isn’t really about your friends or Kevin or your dad. You try to hide it, but I know.” Elizabeth patted Emily’s leg. “Trust me, I know.”

 

What do you think? Want to read more? Well…..you still have a little longer to wait, but for now, you can add it to your Goodreads list or you can pre-order it if you want to get it delivered to your house the day of its release (2/10/2015). I’ll be sharing other excerpts over the next few months, so stay tuned!

Goodreads-badge-add-plus

Available for pre-order:

Indiebound Barnes and Noble | Amazon Powell’s Book Depository | Books-A-Million

The Back is the New Black in Book Covers

Since my debut novel releases in February 2015, I’ve been paying attention to and celebrating cover reveals for the 2014 debuts and the 2015 titles on deck. For a while, faces and eyes dominated covers, and we’ve seen a slew of girls in frilly dresses and submerged fully or partially in water. Now, designers seem to be loving the back. Take a look at the examples below and see if you’ll back me up on this. These are not all debuts, but they will all be released in 2014 and 2015–you know, back to back years.

   18392459  I WasHere  

   13597757   18667862   16429619

18478536   18241263    22555228   13438564

 

Am I right or what? Have you got my back on this?

Well, not to be left out, my debut novel’s cover is all about the back and black.

22032788

I haven’t been this trendy since I rocked really big hair back in the day.

Anybody else have a sexy back cover?

Writing Process Blog Tour

I’ve been tagged! Writers across the blogosphere have been tossing a particular Q&A around the writing community. It’s the Writing Process Blog Tour. Lila Quintero Weaver published her responses last week and tossed it over to me. First, here’s some info on my tagger.

DarkroomI haven’t met Lila in person yet, but I consider her una amiga nonetheless. We have been collaborating on the Latin@s in Kid Lit site since July 2013. Lila has been an enthusiastic blogger for the site, posting great book talks, Q&As, and personal stories. An author and illustrator, her debut novel was Darkroom: Memoirs in Black and White. She is currently working on a middle grade novel.

 

 

Here are the questions and my responses:

What am I working on?

aesop

An image of Aesop

I am revising Aesop’s Curse, my second young adult novel. During the school year, I teach middle school reading full time and college composition part time, so my goal is to finish revising Aesop’s Curse this summer so that my agent can review it and submit it to editors. The story is about a high school freshman named Alexandre Hart who learns he is the reincarnation of Aesop, the fable writer. Aesop cursed a village before he was executed, and now Alex has to somehow fix this or things will get ugly. (I don’t want to give too much away). I am also steadily working on plans to promote my debut novel, When Reason Breaks, which will be published by Bloomsbury Children’s Books on February 10, 2015.

How does my work differ from others of its genre?

Emily Dickinson

Emily Dickinson

Both of my novels have a literary element. Aesop’s Curse includes information about the author and some of his most famous fables. When Reason Breaks includes Emily Dickinson’s poetry, and the characters represent the poet and other people who existed in her life. For example, the two main characters, Emily Delgado and Elizabeth Davis, represent Dickinson, and the character Tommy Bowles represents two important men in Dickinson’s life: Thomas Wentworth Higginson and Samuel Bowles. While there are lots of YA books linked to famous authors and/or literary works, there are fewer about Dickinson and Aesop.

Each of my novels also has a diverse cast of characters, which is important to me personally as a Latina, mom, and teacher. I think it’s important to represent our diverse reality in children’s books, and to not consider these “minority” books, but rather books with minorities in them.

Why do I write what I do?

I write what interests me. I fell in love with Dickinson’s work during graduate school, I have first-hand experience with depression, and I have been a teacher for 13 years, which means I have known and learned from lots of interesting, complex, remarkable teens. When Reason Breaks combines these elements. When planning Aesop’s Curse, I again pulled from topics of interest. I found the story of Aesop’s execution fascinating, I have read a lot about the metaphysical and reincarnation, and I have known plenty of young men like Alex who fly under the radar and dread taking risks for fear of failure.

How does my writing process work?

My process is not methodical. I don’t use charts and graphs or color-coded note cards, and I don’t write every day, which is the #1 piece of advice given to writers. I scribble in notebooks and on post-it notes, and I think about my work in progress constantly, plotting scenes in my head. This way, when I have time to sit and write, I’m ready. I do most of my writing during child-free weekends (when my parents babysit), snow days, sick days, school vacations, and when my daughter is doing an extra curricular activity. Marathon writing sessions with days of no writing in between doesn’t work for everyone, but it works for me.

SusanAdrianMay2013_200pxI will now toss these questions to Susan Adrian, the leader of the Fearless Fifteeners, a group of middle grade and young adult authors debuting in 2015. Susan’s debut YA novel is titled Tunnel Vision and will be published by Thomas Dunne Books/St. Martin’s Press. Here’s a brief description: A teenage boy who has a power he calls tunneling—he can decipher where anyone in the world is (and what they’re doing) by holding something they own—is brought to the attention of the U.S. government. Sounds cool, right? Susan will tell us all about her writing process next week.

« Older Entries