Tag Archives: editing

When Reason Breaks Releases Today!!!

This post is also published on the Latin@s in Kid Lit site. Instead of writing something else for my own blog, I am cross-posting it here. Makes sense, right?

 

Reason Breaks Blended CollageToday is the official release day of When Reason Breaks, my debut young adult contemporary novel published by Bloomsbury! Yay! The novel is about two girls, both sophomores in high school, who struggle with depression in different ways. Here’s part of the official description:

A Goth girl with an attitude problem, Elizabeth Davis must learn to control her anger before it destroys her. Emily Delgado appears to be a smart, sweet girl, with a normal life, but as depression clutches at her, she struggles to feel normal. Both girls are in Ms. Diaz’s English class, where they connect to the words of Emily Dickinson. Both are hovering on the edge of an emotional precipice. One of them will attempt suicide. And with Dickinson’s poetry as their guide, both girls must conquer their personal demons to ever be happy.

To celebrate my journey, which started seven years ago, I’m sharing some pictures I took along the way.

 

IMG_3086This first picture represents the writing, revising, and editing phase done alone and then with critique partners. It took me three years to write the draft that I used to query agents. Yes, that’s a long time, but I was working a full-time job and a part-time job, while single-parenting. My writing place is on my bed, and without fail, my dogs–first Rusty (RIP) and now Ozzie–have kept me company. This has been very sweet, except for the times they pawed the keyboard. Notice the guilty look in his eyes.

 

 

 

IMG_1294I landed an agent, Laura Langlie, after a few months of querying. I revised based on her feedback, and then the manuscript went out on submission. It stayed out there for a long, long time. We received some valuable feedback after the first round, so I revised again and went back out on submission. Finding the right agent and editor is kind of like literary Match.com. You might go on lots of dates that don’t work, but that’s okay, because the goal is finding the perfect person. So, it took a long time, but the book landed with the perfect person, Mary Kate Castellani at Bloomsbury. This is a picture of the manuscript next to my contract. Receiving the contract is one of those “oh-my-goodness-this-is-happening” moments. At this point, the deal had already been announced online, but seeing the contract in black-and-white makes it real.

 

IMG_4414AHHHHH! ARCs. This was a big moment. I didn’t taken any pictures during revising and copy editing. They wouldn’t have been pretty. But, please know that a lot goes on between the previous picture and this one (major understatement). After revisions, the manuscript went to copy edits. That day was significant because it meant drafting, for the most part, was over. Changes could still be made, but the story moved from creation into production. I received a blurb from the amazing Margarita Engle, and the cover was revealed. Soon after, these beauties arrived at my house. And AHHHHH! ARCs! Even though I had seen all the pieces–manuscript, blurb, cover art–it was different seeing it all put together in book form.

 

IMG_3091

The ARCs went on tour to other authors debuting in 2015, friends, and family. I also gave a couple away on Goodreads. This was the copy that went to the first winner, Ali. I have signed thousands of things, but this was the first time I signed a copy of my novel. Around this time, the book was listed on Goodreads, Amazon, Barnes & Noble, and other places and became available for pre-order. Holy wow!

And people were actually reading the book, which, of course, was always the goal, but as ARCs went out and reviews popped up, I became aware that what had once belonged to me–what had only existed in my head and heart–was really out in the world. Here is photographic evidence of actual reading going on.

image_4

 

image_3Now that ARCs were out in the world, I considered ways to help market the novel. One thing I learned from other authors was that I had to do my part when it came to marketing. I didn’t go overboard with swag. I decided to create a book trailer and print book marks and postcards with a QR code linked to the book trailer.

The book trailer was a fun, family experience. My sister’s dining room table was the work station, with my image_2nephew–a high school freshman–doing all of the real tech work. He’s a genius with computers, so he handled putting it all together. The opening voice belongs is my niece, and I narrate the rest of it, although my voice was altered to be lower and much cooler, in my opinion. Bookmarks have been distributed to teachers, librarians, and bloggers. Postcards went to high schools, public libraries, and independent bookstores in Connecticut, in addition to some libraries and bookstores in other parts of the country. Writers always question “what works,” and I think the answer is different for each of us. Bookmarks worked for me because I’m a teacher and I have lots of teacher friends who asked for 50-100 at a time. I knew they’d get into the hands of teen readers. Also, I have received some positive feedback from the postcards. A few librarians emailed me saying they received the post card, viewed the trailer, and planned to order the book; some even invited me to participate in events. So, in my mind, these three things were worth it.

20140920_104602

While the ARCs were “out there,” the manuscript continued to be worked on through copy editing and then first pass pages, which should be called the 100th pass pages because everyone involved had read the manuscript so many times. First pass pages are cool because the manuscript is typeset, rather than being on regular paper in the standard 12-point Times Roman. After the first pass pages were returned to the publisher, the next time I saw my novel, it was in……..

 

 

 

HARDCOVER!!!

image

These came earlier than expected, so I was surprised when I found them on my doorstep. My daughter hugged me and said, “Wow, Mom, they’re beautiful. Congratulations.” I might have gotten a little teary eyed. That day, I donated a copy to my local library and then brought copies to my family. My mom cried when she saw it. My mom doesn’t cry easily. I might have gotten a little teary eyed then, too.

During this last month before publication, I’ve been excited and nervous and, most of all, grateful. Thank you to everyone who has been involved in this process. It takes a village to write and publish a book, and because of everyone who supported me along the way, I saw my novel on a shelf in Barnes & Noble for the first time this past weekend. Wow!

image (4)

Available at:

Indiebound Barnes & Noble | Amazon Powell’s Book Depository | Books-A-Million | Target

And please look for it at your local libraries.

One Step Closer to Publication!

First of all, Happy Valentine’s Day, everyone! I hope your day is filled with lots of kisses, hugs, and chocolate!

So, this past week, I received the major news from my editor that my novel is out of the revision process and in a copy editor’s hands. I received lots of congratulations (thank you!) followed by the question, “What does that mean?” The short answer is that it is one major step closer to publication. Here’s more of an explanation…

The writing process is not linear, but it tends to have steps we all go through from idea to finished product. Here they are:

writing_process

As a journalist, I lived this process daily. Get an assignment, do the research and interviews, draft the article, an editor reads it and makes corrections or offers suggestions, I revise it, it gets read again and, when ready, moves on to the copy desk, where editors take a super close look at it for errors, and then prepare it to be published in the newspaper.

The book publication process is similar, but while the newspaper business runs through these steps daily, months pass between each step when creating a book. Prewriting and drafting could take a year (seriously). In the middle of drafting, you may need to stop and return to the planning phase because something isn’t working and you have to think it through.

When you share it with others for revision suggestions, the revising and redrafting and revising and redrafting and….you get the picture…could go on for months. And in the middle of this process, you may leap back to prewriting/planning if you need to move chapters around and think through the structure and events. At one point, I stopped everything and used post-it notes on my wall to figure out how to tackle a major revision.

I’m not complaining. All of the revisions were worth it. The story I started drafting years ago is SOOOOO much better today thanks to suggestions from my family and friends, and later, my agent and editor. All of the drafting and revising has resulted in a story I’m proud of and excited to share soon with the world.

So, after looping through drafting and revising for months, to be told the manuscript has moved on to copy editing is a big deal, like jump-up-and-down-and-fist-bump-someone kind of excitement. Because this means the manuscript is out of the writing phase and into the production phase. Because if you refer to the chart (yes, I’m a teacher), the story is one pie shape closer to “Publish.” AGHHHHHH!!! Crazy, right?

It's Happening Hi Res

I’m as excited as he is to see what happens through the editing phase! Any comments or advice from people who have been through it?